Victorian Valuations of William Cowper Malcolm Hicks ‘I have found what I have been looking for all my life, a poet whom I can read on a Sunday.’ Thus rejoiced Hannah More, in several ways a kindred spirit of Cowper’s, on receipt of a copy of The Task a generation prior to Victoria’s accession to
Cowper, Slave Narratives, and the Antebellum American Reading Public Katherine Turner The influence of William Cowper’s anti-slavery poems on the abolitionist cause has long been acknowledged, but in rather generalised terms that fail to acknowledge the complexity of his impact on anti-slavery discourse and of his reputation at large, especially in America. This essay describes
John Wordsworth as Cowper’s ‘Cast-away’ Tom Clucas Abstract The three elegies that Wordsworth wrote after the death of his brother John in 1805 contain echoes of Cowper’s poem ‘The Cast-away’. Wordsworth first encountered this poem shortly before John drowned, in volume two of Hayley’s work The Life, and Posthumous Writings, of William Cowper. Wordsworth’s echoes
There are many ways of coming at the relationship between Byron and Cowper as persons and poets. A perceptive short article on the poets in The Athenaeum in 1834 suggested that: Cowper and Byron may be compared together for the alternations of gaiety and gravity in their works. The author of ‘Childe Harold’ was the
William Cowper and William Mason: Poetry, Politics and the Nonsense Club Joan Addison Cowper and the Nonsense Club In June 1786, William Cowper wrote a letter to his old friend Joseph Hill. In it he expressed his pleasure at having recently heard from another friend of their youth, the first communication received from him for
Milton’s Elegy on the Death of Lancelot Andrewes: Cowper’s Translation B. Hutchings John Milton’s Latin poems are largely the product of his earlier years. The most substantial of them, ‘Epitaphium Damonis’, is a lament for his school-friend, Charles Diodati, of whose death Milton heard while in Italy in 1639. Milton here employs pastoral elegy, a
All eyes are set to be on Olney in 2022 & 2023, when the town will be at the centre of commemorations to mark the 250th anniversary of one of the world’s most beloved hymns, ‘Amazing Grace’.
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Museum and Gardens - £8.00 (includes an annual pass)
Gardens only - £3.50
Children under 16 - FREE
Hours: 11.00 - 4.30 (last entry 3.30)
Days: Tuesday, Wednesday, Thursday, Friday and Saturday
Our Museum building remains CLOSED. We are opening our gardens on limited entry. The Cowper & Newton Museum gardens will be open to welcome you on Wednesday 5th August 10.30 – 12.15 and Saturday 8th August 10.30 – 12.15
(Follow our social media accounts or check back here for further opening days & times as they become available)
