Critical Writing on William Cowper, 2013–2014 Ashley Chantler Periodical Articles, Essays, Notes Buie, Diane, ‘William Cowper: A Religious Melancholic?’, Journal for Eighteenth-Century Studies, 36.1 (2013), 103-119. Chantler, Ashley, ‘Critical Writing on William Cowper, 2011–2012’ and ‘Additions to “Critical Writing on William Cowper, 1980–2010”’, Cowper and Newton Journal, 3 (2013), 50-52. Clucas, Tom, ‘Editing Milton During
William Cowper, ‘The Poplar-Field’ B. Hutchings New: watch this short film taken at the location of ‘The Poplar-Field’ by the Cowper & Newton Museum The Poplars are fell’d, farewell to the shade And the whispering sound of the cool colonnade, The winds play no longer and sing in the leaves, Nor Ouse on his bosom their image
Mark Rutherford Recalls Cowper: A Study of Some Allusions Vincent Newey We have learnt, however, from Zachariah that even before Wordsworth’s days people were sometimes touched by dawn or sunset. The morning cheered, the moon lent pathos and sentiment, and the stars awoke unanswerable interrogations in Cowfold, although it knew no poetry, save Dr. Watts,
William Cowper and George Romney: Public and Private Men Joan Addison It was at Eartham, William Hayley’s Sussex home, in August 1792, that William Cowper met the artist George Romney. In the previous May, Hayley, benefactor of artists and admirer of Cowper, had made his first visit to the poet at Weston. During his visit,
Dr Cotton and the Collegium Insanorum at St Albans Richard Stern Dr Nathaniel Cotton (1705-88) is usually remembered for his association with the poets William Cowper and Edward Young, but he was a successful poet in his own right, and a physician who was highly regarded, not least by Cowper himself. This article will indicate
Lyric Sincerity: Cowper and the Sapphic Hymn Emma Salgård Cunha Introduction This essay offers a reading of Cowper’s Sapphic ode ‘Hatred and Vengeance’ (1774), placing it within two conjoined poetic traditions – that of hymnody and that of the eighteenth-century lyric. I wish to argue that Cowper’s use of the Sapphic provides a peculiar insight
Lacemakers and Old Songs, in Olney and Elsewhere David Hopkin O, fellow, come, the song we had last night. Mark it, Cesario, it is old and plain; The spinsters and the knitters in the sun And the free maids that weave their thread with bones Do use to chant it Duke Orsino, Twelfth Night, Act
Cowper and Newton Journal Book Review Jane Darcy, Melancholy and Literary Biography, 1640–1816. Basingstoke: Palgrave Macmillan, 2013. xii + 235 pp. ISBN: 978-1-137-27108-2. R. Owens Writing in The Rambler in 1750, Samuel Johnson famously declared that ‘no species of writing seems more worthy of cultivation than biography’. ‘Narratives of the lives of particular persons’, he
Cowper and Newton Journal Book Review Neil Curry, William Cowper: A Revaluation. London: Greenwich Exchange, 2015. 278 pp. ISBN: 978-1-906075-86-6. £16.99 (pbk) B. Hutchings A new critical biography of William Cowper is an event to be welcomed. Neil Curry is very well qualified to be its author. In 2011 Greenwich Exchange published his Six Eighteenth-Century
Cowper and Newton Journal Book Review David Higgins, Romantic Englishness: Local, National, and Global Selves, 1780-1850. Hampshire: Palgrave Macmillan, 2014. 225pp. ISBN: 978-1-137-41162-4. Helen Stark Romantic Englishness is a thoughtful and careful exploration of the complex interactions between local, national, transnational and global identities in Romantic autobiographical writing. Taking Englishness as his organising principle, Higgins
All eyes are set to be on Olney in 2022 & 2023, when the town will be at the centre of commemorations to mark the 250th anniversary of one of the world’s most beloved hymns, ‘Amazing Grace’.
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Hours: 11.00 - 4.30 (last entry 3.30)
Days: Tuesday, Wednesday, Thursday, Friday and Saturday
Our Museum building remains CLOSED. We are opening our gardens on limited entry. The Cowper & Newton Museum gardens will be open to welcome you on Wednesday 5th August 10.30 – 12.15 and Saturday 8th August 10.30 – 12.15
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