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4th-27th September (Quiet)

by Teresa Riley

This exhibition finishes on 27/09/2024

Teresa Riley

(Quiet)

4th-27th September

For me, painting is an opportunity to really look at something or someone in a very concentrated and focused way. It is a reflective and contemplative activity; the more I look, the more I see.

I’m not aiming for photographic representation – cameras (or phones) can do that much better. But I do try to capture that inner quality that makes the subject who or what it is, through the way I frame it, the shapes and rhythms of the piece, my mark-making and my colour choices.

I am still learning; every subject seems to bring out something new. But I am finding that somehow this concentrated focus has changed the way I see everything, like a new pair of glasses.

As a small child, I loved to draw and paint. I even won a prize in the county arts festival (for a huge collage owl). Then at secondary school, things got serious; after all, I could always do art in my spare time, right?

Well, no, actually. . . Life got in the way, as it does for so many of us. It was over 30 years before I got back to drawing and painting.

There aren’t many reasons to be grateful for chronic ill health, but art is mine: in my 40s, I developed a painful muscular condition. My dear friend Felicity (herself an artist) wouldn’t let me sit around feeling sorry for myself. She supported me and encouraged me, introduced me to different art materials, set tasks and gave me feedback.

A move to France and my husband’s early death meant another break.

Eventually, back in England, I timidly enrolled on a Beginners’ Oils class. It was love at first brush stroke. The luscious texture of the paint on my brush and my fingers, the intensity of colours, and the way they blended – I was hooked.

Painting takes concentration; you’re constantly making decisions, taking advantage of the happy accident. As a piece develops, the stakes get higher – but you have to be prepared to risk it. Friends from local art groups know I frequently wipe everything off and start again! (Picasso once said that a painting is never finished, it’s just abandoned.)

So the support and fellowship of other artists have been crucial. It is thanks to the five local art groups I have joined at different times over the last 10 years – in Emberton, Sherington, Weston Underwood (now Stoke Goldington), Olney Centre and Olney Baptist Hall – that I am still painting, and still learning – attending classes at Great Linford, Westbury, and Yardley Arts whenever I can.

Art heroes: I love the work of Vermeer, Chardin and Gwen John for their quiet appreciation of the everyday; William Nicholson and the Scottish Colourists for their luminous still lifes; Rembrandt and Manet for their loose and suggestive brushwork.

 

     

     

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